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Repost from TARTARIA - BRITANNICA (the truth)
Throughout cultures all over the world, stories of giants appear again and again, almost as if every civilization carried echoes of some ancient, enormous people. From the towering Nephilim described in old Hebrew texts, to the massive beings of Greek myth like the Titans, to African lore of giant ancestral warriors, and even Native American legends speaking of red-haired giants roaming ancient lands., these tales pop up everywhere. Many old chronicles, folklore traditions, and even explorers’ journals mention unusually large skeletal remains or encounters with gigantic humans.
Whether taken as myth, misunderstood history, or hints of something our modern world overlooks, the sheer consistency of giant lore across continents makes the idea intriguing and hard to ignore!
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Man of Light: Baron Carl von Reichenbach | Odic Life Force
The 19th-Century Genius Who Redefined Energy and Perception.
The term Odic Force was coined by Baron Carl von Reichenbach (1788 – 1869) to describe a mysterious, all-permeating Life Principle, Vital Life Force, or Universal Life Energy. Odic Force, also called Od or Odyle is a reference to (or perhaps rather a tribute to, if you like) the prominent Germanic and Scandinavian God Odin.
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Built for the Panama-Pacific International Exposition, it was meant to be temporary, using a frame of wood and staff (plaster/fiber) to mimic ancient stone? Let’s take a closer look at this Palace.
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Built for the Panama-Pacific International Exposition, it was meant to be temporary, using a frame of wood and staff (plaster/fiber) to mimic ancient stone? Let’s take a closer look.
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Cachoeira da Fumacinha (Little Smoke Falls) in Brazil's Chapada Diamantina, known for its immense, moss-covered canyon walls that look like towering stone or "brick" structures, creating a surreal, cathedral-like scene where water drops dramatically, making it a challenging but rewarding trek for adventurers.
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An active display of a Tesla coil in solid state. Tesla coils are high-voltage generators that use the principle of resonance to produce high-frequency alternating current.
The idea of the "Twin-blade propulsion" is not serious in my opinion and not a technical description of the electrical phenomenon being shown.
The device creates striking artificial lightning-like electrical arcs in the air, which shows the energy stored all around us that can be tapped into at anytime, but we are forced to rely on other methods for an energy source.
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This Channel cannot send or receive messages. Be careful of Scams everyone ❤️💪
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The Tatzelwurm is a lizard-like dragon from Alpine folklore (Austria, Switzerland, Bavaria, Italy) and Sweden, known as Stollenwurm of Bergstutz, described as having a cat's head, serpent body, short legs, and sometimes venomous, making a hissing sound. Sightings peaked with a 1934 photo sparking interest, but the creature, a type of lindworm, is largely considered mythical, though related folklore exists in South Sweden.
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Bisti/De-Na-Zin Wilderness
New Mexico, US
This huge area is filled with crazy rock formations that resemble everything from spacecraft to furniture to dragon eggs. Because it is a wilderness area, there are no trails and no vehicles are allowed either. The only way to see it is to walk on in and start exploring.
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The Measure of the Unknown Was the Door
Throughout antiquity, doorways were not just points of entry. They were declarations. Consider the tholos tombs of Mycenae, monumental beehive chambers entered through doors over 5 meters high. The height served no domestic need. It dwarfed the human figure, enforcing reverence before one ever crossed the threshold. In the Treasury of Atreus, the lintel above the door alone weighs over 120 tons. These weren’t scaled for convenience. They were scaled for something else.
We see the same pattern in Egypt’s Karnak temple, the Hittite gates of Hattusa, and the Great Mosque of Aleppo. Doorways two to three times the height of any human, with no clear mechanical reason to be that large. No pack animals required them. The interiors they guarded were often more modest than the doors themselves. Yet again and again, across empires and eras, these oversized portals reappear. Not scaled to us, but to something larger.
Mainstream archaeology explains this as symbolism… grand entrances meant to impress, to honor gods or rulers. That may be so. But the consistency, the precision, the sheer scale, especially in sites with cyclopean masonry and absent scaffolding, raises deeper questions. Were these thresholds once practical, not performative? Functional, not just ceremonial? If so, they weren’t built for us.
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